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To those seeking his meaning, Montaigne offers form; he refers those who stop at his style to his thought. Content and style are inseparable in his sceptical writing on the three great sciences of the time, theology, law, and medicine. Mice and...
La seconde partie des Grandes Peurs, consacrée à L’Autre, contient les Actes du Colloque international de Nancy, 30 septembre-3 octobre 2003. Elle a en commun avec la première partie (TL, vol. XVI) problématique et méthode. Les textes réunis vont du...
A writer’s diary speaks of the world, often doing so through the words of others, calling attention to the presence within him of what has already been said, but which he makes his own. It is a paradoxical situation in which the writing process...
Unrequited love, the denial of the poet’s sacred status, or the refusal of modern society – Nerval’s writing is driven by a sense of loss. His poetry seeks to compensate for the constraints of verse forms, whereas in his prose stories, on the subject...
A novelist, playwright, diarist and essayist, Henry Bauchau is a poet first and foremost. Enriched by contact with these multiple genres, his poetry reveals an inner progression. This critical essay’s attention to forms, themes and motifs highlights...
In literature, a secret often drives the plot, so that the result is paradoxically all about show. Certain novels in which the truth is hidden reveal a theatrical motif or the use of literary forms particular to the theatre. Taking Marivaux’s plays as...
Pour fixer la trace examines nineteenth-century writings on a common, non-literary theme: photography. This new form of representation is apparently in opposition to literary representation. Directly or indirectly, Flaubert and Gautier, historians and...
Véronique Denizot shows how the poetic creativity of Ronsard’s early writings revolves around the idea of innovation and luxurious glory, and around the astonishing and gorgeous word that reveals the mystery of the...