Log in
No products
items: 10 20
Sort by -- Publication date: oldest first Publication date: newest first Price: lowest first Price: highest first Product Name: A to Z Product Name: Z to A In-stock first
Show: 10 20 products by page
Catherine of Medici's association with magic invites an analysis of talismanic images in art under the last of the Valois dynasty in France. Through the themes of magic, astrology and prophecy, this study examines the Florentine queen’s role ...
A booklet itemising 171 paintings and several sculptures serves as a reminder of a forgotten but important artistic event under Louis XIV: the sumptuous public exhibition organized in Paris in the autumn of 1683. The very first exhibition of its kind...
In this volume, art historians and sinologists discuss the question of art collecting in eighteenth-century China. Art collecting is an ancient practice in China, with specific means for acquiring, appreciating and exhibiting objects. Under the Qing...
L’Effet Pygmalion is based on the literary, visual and audiovisual incursions of the first recorded simulacrum in Western culture. Although given life as woman and wife of her sculptor by the gods, and despite her soul and body, Pygmalion nevertheless...
Working outside court circles and away from the usual patrons, Watteau achieved fame in a short period of time before his premature death. His contemporaries described his paintings as ‘innovative’ and ‘charming’. It is interesting to compare the...
The Introduction to the school of the art of painting (1678), by Rembrandt's former pupil Samuel van Hoogstraten, is an important source on the visual culture and artistic practices of seventeenth-century Dutch painters. A French translation, notes...
The 'rhetoric of paintings' in seventeenth-century Jesuit literature is concerned with bringing pictures to life and granting them speech. Since the sixteenth century the prefaces to illustrated books had been repeating that the 'body' (or picture)...
Bernard Salomon (c. 1508–c. 1561) worked mainly for Jean de Tournes as a designer (and probably engraver) of woodcuts for book-illustration, elegantly conceived in the manner of Fontainebleau. The work attributed to him (over 1600 pictures) covers...
From 1830, the number of illustrators grew in line with the revolution in the world of print and engraving. Most nineteenth-century artists worked for the book trade at some time. This ‘journalism of the pencil’ (Théophile Gautier) could be either a...
Was there ever such a thing as Carolingian statuary? Do the masterpieces of Romanesque sculpture in the Auvergne actually date from the twelfth century? Does thirteenth-century Saxon sculpture really derive from French models? When were the porch at...